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Just in time for Purim, a chant from the Scroll of Esther, and a midrash (interpretation). The Book of Esther begins with the King, a bit of a buffoon, throwing a huge drunken party for everyone, and this sets the tone for everything that follows.

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This song sets out one of the foundational myths of the Storytellers' World, an original fantasy setting. Zoe Mulford's original song, "The Street That Wasn't There", could practically be set in that world already, which is one reason why the first verse is so little changed. The identity of Professor Oceanstone (or, if you think that's too easy, why his name is "Oceanstone") is left as an exercise.

lyrics by Benjamin Newman
ttto: "The Street That Wasn't There" by Zoe Mulford
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One of the wonderful things about Persephone is that She is a many-faced goddess who means different things to different people.  Vixy's original song uses the myth of Persephone to tell a story that's deeply personal to her.  For myself, I felt moved to borrow the tune to capture what Persephone means to me as a devotee — but that's something that has changed over time.  When I first began working on this song during the intensely initiatory Year of Madness, it came out quite different, not just lyrically but theologically.  I had to set the half-written song aside for a long time and come back and finish it when I knew Her — and myself — a great deal better.

lyrics by Benjamin Newman
ttto: "Persephone" by Michelle Dockrey
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I shop at TJ's fairly often, and I also study Torah fairly often, so it didn't escape my notice that the Biblical Joe also made a name for himself in food distribution.

lyrics by Benjamin Newman
ttto: "The Frozen Logger" by James Stevens
 
 
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In Jewish tradition, opinions differ as to what real plant (if any) the Tree of the Knowledge of Good and Bad represents, or what real historical development (if any) the eating of its fruit represents — some say it's basic sentience or moral self-awareness, others suggest a technological change such as the development of agriculture.

I'm firmly of the opinion that Eve made the right choice — that G!d's experiment and our story as modern humans doesn't properly begin until we eat the Fruit of Knowledge, and that this story is ours to try to turn towards the good (we're not doing so great right now), not to reject.

In this song, I imagine that each Fruit on the Tree of Knowledge is different — a different flavor moral awareness. Some are sweet, some are bitter, and some are outright poisonous. If Eve wasn't wrong to eat of the Tree in the first place, certainly Cain was wrong to keep on eating the particular fruit he picked after that bitter first bite — and that, I think, is the crack in the world and the beginning of the main thread of Genesis: brother quarreling with brother to win father's favor, until finally we meet two brothers, Ephraim and Menashe, about whom almost nothing is written because they do not quarrel so there is no drama to write about.

lyrics and music by Benjamin Newman

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This song, written some time ago and recently updated with more gender-inclusive language, imagines Eden as G!d's laboratory, with the archangels as G!d's research assistants. 45 is the numerical value of the Hebrew letters in אדם Adam/human/earthling.

lyrics and music by Benjamin Newman
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A meditation on change, from computer code to creativity, creation, and evolution.

lyrics by Benjamin Newman
ttto: "Hearthfire" by Ada Palmer

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The Jewish story begins in the mythic past in Genesis and Exodus, but it doesn't end there — it has grown over millennia through layers of history and tradition, interpretation and elaboration, and is still growing today.

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In the book of Genesis, after working for 20 years pasturing his uncle Laban's sheep, Jacob hatches a plot to acquire his fair share of the flock for himself, through... genetic engineering?  In context it's clear that this is regarded, not as a divine miracle, but as how the ancients thought genetics actually worked.

lyrics by Benjamin Newman based on Genesis 30:25-43
ttto: "Cows with Guns" by Dana Lyons
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Väinämö

Aug. 5th, 2020 06:48 pm
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Väinämöinen, or Väinämö for short, is the hero of the Finnish folk epic, the Kalevala. It sounds a little like "bailamos", and once I thought of that, I couldn't unhear it.

lyrics by Benjamin Newman
ttto: "Bailamos" by Enrique Iglesias

Down Under

Aug. 5th, 2020 05:47 pm
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A more light-hearted take on the story of Persephone.

lyrics by Benjamin Newman
ttto: "Down Under" by Colin Hay and Ron Stryker
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[personal profile] bnewman
This song was previously released as "Yehudi Mind Tricks".  The song hasn't changed, just the title.

The stories of Moses and of Luke Skywalker match up in a lot of places. Being taken away from their parents. Encountering a deeper spiritual reality. Hearing the Call. Standing up to an Empire. But, most of all, what ties them together is the Desert.

lyrics and music by Benjamin Newman
chorus based on Ben Kenobi's theme from Star Wars by John Williams
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A song for Ya'akov/Yisra'el, looking back on his wrestling career.

lyrics and music by Benjamin Newman
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A Solstice song... or is it?

lyrics and music by Benjamin Newman
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An essay on the role of myths and stories in relation to reason in forming the philosophical foundation of an individual or culture.

lyrics and music by Benjamin Newman

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Masquerade

Jul. 16th, 2020 05:39 pm
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A song for Esther, heroine of the Jewish holiday of Purim.

lyrics and music by Benjamin Newman

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A song for the Jewish holiday of Shavuot (which celebrates the giving of the Torah at Mt. Sinai and also the full flower of Spring), retelling the Exodus narrative by way of a more Song-of-Songs-ish metaphor, and finally a very Reconstructionist twist.

lyrics and music by Benjamin Newman

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El-ahrairah

Jul. 3rd, 2020 11:25 am
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The tale of the legendary prince of Rabbits from Watership Down

lyrics and music by Benjamin Newman

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A telling of the Ramayana, one of the great Hindu epics, with a focus on the monkey god Hanuman.

lyrics by Benjamin Newman
ttto: "Code Monkey" by Jonathan Coulton

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